Literature of Working Women - Life in the Iron Mills

"Life in the smoothing iron move" opens with the words, "Is this the end?" and proceeds to describe the cloudy, gray, locoweed-filled automatic teller that is nary(prenominal)m for a "town of iron-works" (Davis in Tichi 39). Davis describes this town as if it were the underbelly of any(prenominal) great machine. Her description is relentless as she writes, "the sky sank down before dawn, muddy, flat, immovable" (Davis in Tichi 39). The smoke is "clinging in a coating of greasy soot" (39). just now the last sentence yields a little, the "dream of green handle and sunshine is a very old dream - some worn out, I think" (40).

The first Wolfe that Davis introduces is Deborah, the cousin. Although down-trodden, she is not lean to drink as her companions are and seems to be kept vital by some hope. Davis, however, implies that this hope could be lost in a moment and then Deborah would take to drinking because, " gentle populace's gentleman cannot live by work alone" (43). In written material this statement, Davis is referring to the verse in the New Testament where Jesus states that "man does not live on bread alone, but on every word that comes from the mouth of God" (Matthew 4:4).

This sets up her premise that factory workers need more than shelt

Tichi, Cecilia, editor. Life in the Iron Mills: Rebecca Harding Davis. A Bedford Cultural Edition. Boston, MA: Bedford Books, Inc. 1998.

How "Life in the Iron Mills" Compared to its Contemporaries

How "Life in the Iron Mills" Compares to Current Research

Schocket, Eric. "Discovering some new race: Rebecca Harding Davis's 'Life in the Iron Mills' and the literary issuing of working class whiteness." Publications of the Modern Language Association of America. Vol. 115, no. 1, pp. 46-59. 2000.

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