Dee in Everyday Use

Besides being determined, however, Dee is as well portrayed as critical of those around her unless they can brisk up to her exacting standards. For example, the fetch describes how Dee "hated the house" so much that she just stared in deep concentration as it burned dash off, composition her mother struggles to save Maggie, the younger babe (29). The new house is just like the old one, a sm exclusively, three-room shack, and Dee's mother thinks that "[n]o doubt when Dee sees it she will want to tear it down" (30). Dee has already indicated her dislike of her mother and her sister's living arrangements by verbalism she will go visit them wherever they "choose" to animated (30). In making this statement Dee seems to not acknowledge or be grateful for all the hard work and misfortune her family and community went through simply to get one person, Dee, to school, and so capable of moving on to a better life.

Dee's schooling, quite of creating a person who would be willing to give plump for to the community that helped her, has given her even more reason to be discontent with her family and peers. Dee's mother refers to being trap by Dee's evaluate point of view: "She used to read to us without leniency; forcing words, lies, other folks habits, whole lives upon us two, sitting trapped and ignorant underneath her voice" (29-30). In addition to her family, however, Dee has also turned her critical gaze to any friends she may have, such as the "fur

Finally, the reader is shown Dee in person upon her arrival at the house. At first she seems to be the same Dee, with her "neat-looking" feet (31). Yet, the rest of her appearance seems to indicate that she has changed somewhat.

For example, she has shown up in clothes, jewelry, and a hairstyle that was supposed to be of African origin -- all big and loud in color and style. In fact, her mother appears to approve of this new look, as different as it is (31). whence Dee introduces herself and her friend with their new African-styled names. She takes pictures of her mother and Maggie in their rural displace and makes a point of eating everything she is served. She even gushes over the cover dish and the benches for the table. It is at this point that she basically demands the churn with the dasher and wherefore scoffs at Maggie for knowing the stories behind them (33-34). This shows while she appears to have gained a new love for her past, it is for her amorousized past only and not for her received past, or even her real present with her family.

The last scene, where Dee asks for the family handwoven quilts, clearly shows how much she disrespects the world she came from while glorifying a romantic past she had no real connection with. Her mother remembers her play down the gift of a quilt when she first went away, while now she
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