Black American History

4 . Shuyler s account on the relationship between African American fraudists and their community and particularly their social responsibility for it , return from the point that recently anticipated revolution of African art was in fact not so much impelling in representing general African identity , but sort of was limited to American culture : But these are contributions of a caste in a certain section of the countrified They are foreign to Northern Negroes , West Indian Negroes , and African Negroes (Schuyler , 1926Shuyler argues that such inability of Afro Americans to produce their distinct and what is more of the essence(predicate) universal Afro culture is because they are Americans in the first patch and Afro-Americans in the second They are embedded in American social , cultural and economic context which includes speaking the homogeneous language , going to the resembling churches having similar jobs and sharing the same social and economic problems with white population . The themes , used by Afro American in literature drama etc .

are , concord to Shuyler are much the same of those used by duster Americans . In short , according to Shuyler , Afro Americans tend more to distil their nationality , rather than their race . In these conditions , the main responsibility of authentic Afro-American artists is to avoid articulating racial differences between them and White AmericansThere is no denying the importance of the fact , that Shuyler s position has both energys and weaknesses . General strength of this position is that it tries to avoid racial differences between Afro Americans and White Americans by arguing that...If you want to get a full essay, fix it on our website: Orderessay

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