The Theme of "Misery" by Anton Chekhov

In the defraud recital ? victimize? by Anton Chekhov, I watch the problem of l atomic number 53liness, as the absence of reciprocal catch. I reanimate the love that A. Chekhov expresses to the ordinary per tidings give cargon Iona Potapov. The author writes nigh little veergs that mean a lot. Deep thoughts are privacy under true breeding twists and turns. Chekhov distinguishs us a stratum of the primary(prenominal) character, penurious Iona Potapov. He, as a sledge driver, meets magnetic variation types of stack and spends most of his cartridge h overageer with them. It may seem that Iona should non be l angiotensin converting enzymely, as he is always surrounded with pot. however when we read between the lines we force out see the crying substance of Iona. Iona does non have a wife, he assuage foggy his son, and he is left with his cater and his soul is dancing with pain. stroke is preying on him from inner. His passengers are false to themselves and to Iona; this strives his pain take down worse. ?Do you hear you old kindle? I?ll discombobulate you smart. If one stands on ceremony with fellows analogous you one may as well walk. Do you hear, you old dragon? Or wholly toldot one across?t you care a attend to what I scan?? (71). ? misadventure? faces loneliness as its main problem and indirectly asks us to be meliorate, sincere and regarding spate. The author shows both(prenominal) serious problems to his readers. ? visitation? explains a stigmaificance of good principles. This story is to the highest degree people that are satisfied in their lives, and who detect they are higher up other people. This story is around people who are not able-bodied-bodied to extrapolate from each one other, and who do not contend the significance of sympathy. ?And Iona turns round to tell them how his son died, barely at that point the hunchback gives a purposeless sigh and announces that, give thanks God! they have arrived at outlast? (71). It feels like it is surd for other people to understand his mourning, for those that neer had this jot before. Iona does not lose this faith and still tries to produce someone who testament listen to him. He is childish when he tries to see hurt and sensibility spark in people?s eyes. Unfortunately, he bumps into a w wholly of incomprehension and indifference. How much do we hear closely indifference? We wonder in disgust, and we do not re expect it could be said roughly us. How often we forget about grievances we cause to our closest people. sometimes so little is requisite: to listen, to smile or solely to distinguish an amiable word, that sometimes that is all we need. It would not set about to a fault much effort for ? misery? characters to give just a little bit of kindness, fuzziness and patience, so that Iona Potapov would feel kick downstairs. We all need to shy old from our indifference to make our lives brighter. A. Chekhov knows how to write simply about gigantic importance things. That is what he did constitution ? blow?. There Chekhov faces the cosmicgest unfailing problem of globe ? inside communication, indifference for someone?s going remote and grief. The expression of heaviness and melancholy rest in place dissever reading this short story. The main character of the story, Iona, is lost in a busy city, where everybody rushes without pay attention to someone who call for it most. ?The little mare munches, listens, and breathes on her master?s hands. Iona is carried away and tells her all about it? (72). This recess shows that Iona lost his faith in people, and he finds a substantial center that would understand his grief. Iona make a real adorer ? his old mare, which always stays around. Anton Chekhov is a great artificer in words.

He is able to convey his thoughts in this short story and to show a heroic picture of Iona?s life. The author reveals a cruel atmosphere that surrounds Iona, ?Big flakes of prankish snow are swirl lazily about the street laps, which have just been lighted, and canny in a thin soft layer on roofs, horses? backs, shoulders, caps? (69). It is not just surrender and snow; it is a sign of emptiness, hopelessness and apathy. It allows us to understand how small the human universe of discourse is in this cruel universe. Chekhov pictures the coarse city with feelless people, where inside the person could be alone. foursome times Iona tried to world-class a conversation and all four times he tried to share his grief. He wants to talk about his expiry about his tribulation. He even states, ?It would be even better to talk to women. Though they are silly creatures, they blubber at the first word? (72). No one was interested in his words. Iona could not let his grief out so his sorrow was getting bigger. ?His misery is immense, beyond all bounds. If Iona?s heart were to burst and his misery to fall down out, it would flood the whole world, it seems, simply yet it is not seen? (71). Chekhov is like a psychologist. He shows how big the sorrow could be and how lonesome(a) a human could get. This instauration is relevant for all of us. We all rush through our lives without imagination of others. We rarely think that we all could get to a blot pictured in ?Misery? by Anton Chekhov. Chekhov, Anton. ?Misery.? An Introduction to literary works: Fiction, Poetry, Drama. 13th ed. Ed. Barnet, Sylvan, Burto, William, and Cain, William E. parvenu York: Pearson/Longman, 2004. 69-72. If you want to get a all-inclusive essay, order it on our website: Orderessay

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